明騎西行記

http://varietyasiaonline.com/content/view/7490/

摘譯其中總評段落

Pic hums along nicely with the band's creative squabbles and personal dramas en route to inevitable triumph at the big gig. Giving a large and mostly inexperienced cast plenty of room for boisterous thesping while keeping a tight rein on any overkill, Wei shows real flair for comedy and underpins the fun with compassion for the disappointments and loneliness hidden inside many of the characters.
電影對於暖場團有創意的爭吵，以及描述個人的劇情如何導致在演唱會上必然的成功描寫的很好。讓一大群大多數缺乏經驗的演員有足夠的空間狂暴演出，又能控制良好而不過頭，魏導表現出對喜劇的天賦，也以對隱藏在許多角色身上的失望與寂寞的同理心，強化了電影的趣味。

Less engaging is a 1945-set wrap-around love story intended to light a halo around Aga's romance with Tomoko (Chie Tanaka), a Mandarin-speaking Japanese ex-model; the attempt to draw poetic parallels across time zones is hampered by the mechanical nature of Aga and Tomoko's cross-cultural attraction.
比較不感人的是發生於1945年的過去愛情故事，這被用來襯托阿嘉與說中文的日籍前模特兒友子(田中千繪)的愛情。以詩意跨越時空的嘗試，被阿嘉與友子跨文化吸引力愛情的機械本質所阻礙。

Colorful production design and costuming look terrific in widescreen, and lenser Chin Ding-chang's coverage of Hengchun won't harm the tourist trade. Peppy score and catchy concert songs keep the toes tapping. Other technical work is solid.
色彩繽紛的產品設計與服裝在寬螢幕上看起來效果奇佳，攝影指導秦鼎昌對恆春的視野對觀光貿易有幫助，精力充沛的音樂和動人的演唱會歌曲讓人不停跟著打拍子。其他技術表現十分堅實。